3 Ocak 2013 Perşembe

"I'm a raven."

To contact us Click HERE
I forgot to mention in my previous post one of my favorite things about Moonrise Kingdom, which was the liberal use of Benjamin Britten's works in the soundtrack. Movie nerds will recognize the theme from his Young Person's Guide to the Orchestra as the Rondeau from Henry Purcell's Abdelazar, which was adapted (quite effectively, for solo violin) for a key scene in The Lesser Adaptation of Austen's Pride and Prejudice.

"I'm a raven."
The amateur production of Britten's Noye's Fludde, staged in a local church and replete with children dressed as animals, is, like the Khaki Scouts, its own kind of child-adult collusion in overenthusiasm. Suzy is a failed raven just as Sam is a failed Khaki Scout, failed on social grounds rather than out of incompetence. It is a "play" that is taken utterly seriously, especially by the grown-ups (like the one who demotes Suzy from her raven role). Play taken too seriously, or serious enterprises (like child care) rendered all too game-like (as when the best scout of all, Scoutmaster Ward, manages to lose first Sam, then the rest of the troop), continually threaten happiness. The only possible resistance is yet another system, an alternative game, a union between Sam's wilderness skills and Suzy's fantasy world, the game of their private Moonrise Kingdom.

Thus when all the other social systems of discipline converge, they do so at the church, in the midst of Noye's Fludde, in order to escape the actual flooding outside.

Britten is a serious, even difficult composer who has, when you think about it, written a great deal for children—both child audiences and child performers. He's especially known as a composer of liturgical music in a tradition famous for its boy choristers. I couldn't help noticing a movement from his Simple Symphony when it appeared in the film—a movement tellingly titled "Playful Pizzicato"—I'd played it as a child, after all. Using childish sounds—"playful" pizzicato (plucked strings), glockenspiels, high-pitched child voices, and at times almost comical bombast (including in the didactic Young Person's Guide)—Britten proffers Middle English texts and challenging harmonies. Thus, within the world of the film, his music marks the oscillations between "too easy" and "too hard" that marks every educational pursuit, every system for cultivating the self.

Anderson's own oeuvre, so often described in the terms of miniatures and toys (and including an animated adaptation of a children's book, Roald Dahl's 1970 Fantastic Mister Fox) aspires to similar comminglings. In Moonrise Kingdom, Anderson focalizes childhood as a site of real difficulty, one whose difficulties are not discontinuous with those of adulthood, and indeed, one whose difficulties are most adult when they reside in the domain of play.

Suzy lugs a suitcase of stolen library books through the wilderness, imaginative resources for building a private universe. Her fictions are bulwarks against the flood.

Un coup de dès jamais n'abolira le hasard

To contact us Click HERE
About a week ago I wrote a post adding to my ongoing series on puerility, observing how the cultural phenomenon of the FiveThirtyEight blog and the conflicts surrounding it exemplified a discourse in which discrete, mutually exclusive outcomes are the only imaginable ones. Then, while I drove to Maryland for a workshop, stopping in Philadelphia on the way back, about eighty people commented on my post to let me know that they were persuaded (in error) that I was somehow defaming Nate Silver personally and statistics as a field, and that it was up to them to defend both.

This seems to me to suggest two things.

First, that the same logic that gives us "Obama or Romney?" as the paramount question one can ask about an election also gives us "for or against?" as the paramount question one could ask about the FiveThirtyEight blog. This is in no way an interesting question to me, but for many people it was the only question, and therefore my post could only be read as answering it. This reduction to discrete, mutually exclusive, and usually binary outcomes legible in the terms of a game is of course what I was identifying as a form of puerility in the first place. Obama or Romney? Statistics or "gut"? Nate Silver or Politico? Quants or scouts? These questions clearly generate a great deal of pleasure, as evidenced by the enthusiasm with which they are debated, but there are other questions, involving words like "why" and "how," that are worth discussing.

Second, that childhood is so overwhelmingly treated as a debased category that to invoke it is considered an insult.* In addition to its literal meaning of "boyish" (Latin puer), "puerile," in common usage, carries a pejorative connotation, of course, but that's its least descriptive and least useful aspect, which is why I set it aside. Puerility, in the sense of the performance of child masculinity, is one of the most powerful political forces in the present moment; that's why there is a "Nate Silver phenomenon" in the first place. It should go without saying that anyone can engage in this performance, but it is also worth noting (so I noted it) that Silver's public persona (white, male, youthful, virtuosic) makes him a particularly good candidate, out of the many people and organizations aggregating polls, to emerge as the celebrity of popular political statistics.

On election night it was interesting (though not surprising) to observe how, once the presidential race was called, Silver began to be celebrated on Twitter (elsewhere too, I'm sure, but Twitter is time-stamped) as if he were the magical wizard that, prior to the election, Silver himself so patiently tried to explain that he was not. A lot of the tweets were really funny (funniest), but many of them oddly called the Obama victory "a win for statistics" or even "a win for reality," as if to suggest that the validity of either were contingent on who won the election.** Some even explicitly trod into "Nate Silver IS a wizard!" territory:



Such celebrations seemed to concede (erroneously) that Scarborough et al. had a point in the first place— that a Romney win would have falsified Silver's model, and that Silver's model were based on occult wizardry rather than weighted averages of widely available polling data. As Siva Vaidhyanathan put it:



And surely many of the people declaring Silver the real winner of the election knew this, and had even, prior to the election, said it. This put no damper on the explosion of Silver jokes, however; the pleasure of play trumped the basic premises of the very thing being celebrated. The cultural meaning of statistics was precisely puerile at this moment, openly signifying "winning team" more than it signified the actual principles of statistics.

Another form of data analysis was also declared a winner after the election, it is worth noting—the data-mining that enabled the Obama camp's microtargeted get-out-the-vote effort. This was swept into the same category as Silver's poll averages and made a cause for celebration. But as Zeynep Tufekçi, who had earlier argued that work like Silver's had the potential to limit the puerile logic of the horse race, observed, data-mining is ethically neutral at best, and is as eagerly pursued by Target as by the Democratic Party:



Or as Alexis Madrigal put it, "Data Doesn't Belong to the Democrats". "The left's celebrating the analytical method right now as if it belonged to them," Madrigal writes. "But it doesn't. [...T]his election was not a triumph of data over no data, of rigor over hunch. The 2012 election was a triumph of Democratic data over Republican data." What Madrigal predicts next is a data analysis war, as Republicans struggle to catch up with and exceed the facility already achieved by Democrats.

This is indeed probably what will happen in 2016, and it is about winning. In such a discursive environment, we can easily have another election in which drone strikes are not up for debate at all. But who wins—the question that FiveThirtyEight and the political parties' data-mining efforts each, in their different ways, attempt to answer***—only ultimately matters in the context of policy questions. Are we able to ask them?

-----

*This is complicated, to say the least.

**This is in contrast with the predictions in individual states, which, taken together, are rather more meaningful for evaluating the model.

***I.e., Silver tries to answer by prediction based on polling data, while the data-miners try to answer by trying to secure a particular outcome.

Modernism and Childhood

To contact us Click HERE
The schedule for my junior seminar "Modernism and Childhood" is below. Comments welcome.

* * *

Modernism and Childhood

This course will examine the role of childhood in British and American literary modernism, as well as the role of modernity in childhood, with an emphasis on U.S. culture. Many modernist authors were fascinated by childhood and wrote books intended for children; meanwhile, scientific and pedagogical theories of childhood—prescriptive, descriptive, and everything in between—proliferated, revealing the degree to which childhood has always been subject to historical and cultural contingencies. In this course we will explore ideas like cuteness, innocence, play, and learning as they were constructed in the early twentieth century, and the roles that they played in the overlap between modernism and children’s literature. We will touch on some canonical children’s literature (Winnie-the-Pooh, A Child’s Garden of Verses) and some canonical modernist literature (Harmonium, Tender Buttons), as well as some literature that fits neither category very comfortably. We will also devote significant portions of the course to understanding psychoanalysis, both as a critical tool and as a set of powerful primary texts of modern childhood. Students will write two medium-length essays and complete a final exam.


Week 1

Tu 1/15 Introduction: What is modernism? What is a child?
William Carlos Williams, “The Red Wheelbarrow”
Gertrude Stein, “Susie Asado”


Th 1/17 “The Psychology of Modernism in Literature” (JAMA editorial, 1935) [CR]
Margaret Wise Brown, Goodnight Moon


Week 2

Tu 1/22 Childhood, 1900: pedagogy, medicine, art
Sally Shuttleworth, from The Mind of the Child [CR]
Maria Montessori, from The Montessori Method [CR]
Jonathan Crary, from Techniques of the Observer [CR]

Th 1/24 Psychoanalysis and developmental theory
Sigmund Freud, from Introductory Lectures on Psycho-Analysis


Week 3

Tu 1/29 Psychoanalysis continued
Sigmund Freud, The Wolf-Man

Th 1/31 Freud, The Wolf-Man continued
“The ‘Uncanny’” [CR]


Week 4

Tu 2/05 “Innocence” and challenges to innocence
Robert Louis Stevenson, from A Child’s Garden of Verses [CR]
Jacqueline Rose, from Peter Pan, or The Impossibility of Children’s Literature [CR]
Psychoanalysis exercise due: Choose one of the following concepts to explain, based on our reading of Freud: ego, id, castration complex, Oedipal complex, primal scene, uncanny. The goal is to summarize a concept as faithfully as you can, using Freud’s own words as evidence. 2-3 double-spaced pages; no more than 1000 words.

Th 2/07 “Innocence” continued: sexuality
Djuna Barnes, Ladies Almanack


Week 5

Tu 2/12 Barnes continued
Kathryn Bond Stockton, from The Queer Child: Growing Sideways in the Twentieth Century [CR]

Th 2/14 “Innocence” continued: race
Anne Anlin Cheng, from The Melancholy of Race [CR]
Zora Neale Hurston, from Their Eyes Were Watching God [CR]
James Weldon Johnson, from Autobiography of an Ex-Coloured Man [CR]
Frantz Fanon, from Black Skins, White Masks [CR]
Langston Hughes, Montage of a Dream Deferred


Week 6

Tu 2/19 Hughes, Montage continued
Pastiche exercise due: write a poem on any subject in the style of Langston Hughes.

Th 2/21 Cultivating the “innocent eye”
Hughes, poems for children
Marianne Moore, “Critics and Connoisseurs”; “Lines on a Visit of Anne Carroll Moore to Hudson Park Branch” [CR]


Week 7

Tu 2/26 Colonial allegories and the innocent eye
Paul De Man, “Literary History and Literary Modernity” from Blindness and Insight [CR]
L. Frank Baum, from The Wizard of Oz [CR]
Arthur Ransome, from Swallows and Amazons [CR]
William Carlos Williams, “Spring and All” [CR]

Th 2/28 Nonsense and sound-sense
Edward Lear, “The Owl and the Pussycat”; “The Quangle-Wangle’s Hat” [CR]
Ogden Nash, selected poems [CR]


Week 8

Tu 3/05 Nonsense and sound-sense continued
Wallace Stevens, poems from Harmonium, “The Poems of our Climate” [CR]
midterm essay due (5-6 pages)

Th 3/07 Learning to read
A. A. Milne, Winnie-the-Pooh and The House at Pooh Corner


3/09 - 3/24: SPRING RECESS


Week 9

Tu 3/26 Ezra Pound, from A B C of Reading; “In a Station of the Metro” [CR]; Canto II [CR]

Th 3/28 Cuteness
Gertrude Stein, “Objects” and “Food” from Tender Buttons
Pastiche exercise due: write a poem on any subject in the style of Gertrude Stein OR Ezra Pound.


Week 10

Tu 4/02 Cuteness continued
Stein continued
“Palilalia and Gertrude Stein” [CR]
Sianne Ngai, “The Cuteness of the Avant-Garde”

Th 4/04
Stein, The World Is Round


Week 11

Tu 4/9 Cuteness and kitsch
T. S. Eliot, Old Possum’s Book of Practical Cats; “The Love Song of J. Alfred Prufrock” [CR]
Clement Greenberg, “Avant-Garde and Kitsch” [CR]

Th 4/11 Playing I: Object relations
D. W. Winnicott, from Playing and Reality [CR]


Week 12

Tu 4/16 Margret and H. A. Rey, Curious George and Curious George Takes a Job
Michael Taussig, from Mimesis and Alterity [CR]

Th 4/18 Playing II: Language games
Lorine Niedecker, New Goose
selected nursery rhymes [CR]


Week 13

Tu 4/23 Niedecker continued
Ludwig Wittgenstein, from Philosophical Investigations [CR]

Th 4/25 Modernism and childhood: conclusions
Final essay due

Final exam date TBA


What's wrong with the Celtics?

To contact us Click HERE
Everybody blames it on their health and lack of Kevin Garnett. Admittedly, any team without K.G. would tend to slump significantly. But as a life long Celtics fan, I feel the problem goes much deeper than that. I think the main underlying issue that the average John Q. public is missing (and Doc Rivers) is the role of Rajon Rondo. He's averaged 10.6 points per game during their championship year in 08' and last year he improved his average to 11.9 points per game. This year he has pushed it up to 14.0 points per game. On any given night, I see him drop 20 points. While I am all for an individual improving his stats...at what expense does it come to the rest of the team as a whole? Last year, they didn't even make the Eastern Conference Finals. This year, granted it's midway, they're slumping and losing to scrub teams. The more points he scores the less he is involving his team mates. When they don't score, they lose interest in rebounding, hustling, the little things. Just a thought, but if he'd give up the ball a little more like in the past, perhaps they would keep their interest level up and stop losing leads and such. What do you all think! No haters! Actual sports fans answers only...be mature!

2 Ocak 2013 Çarşamba

"I'm a raven."

To contact us Click HERE
I forgot to mention in my previous post one of my favorite things about Moonrise Kingdom, which was the liberal use of Benjamin Britten's works in the soundtrack. Movie nerds will recognize the theme from his Young Person's Guide to the Orchestra as the Rondeau from Henry Purcell's Abdelazar, which was adapted (quite effectively, for solo violin) for a key scene in The Lesser Adaptation of Austen's Pride and Prejudice.

"I'm a raven."
The amateur production of Britten's Noye's Fludde, staged in a local church and replete with children dressed as animals, is, like the Khaki Scouts, its own kind of child-adult collusion in overenthusiasm. Suzy is a failed raven just as Sam is a failed Khaki Scout, failed on social grounds rather than out of incompetence. It is a "play" that is taken utterly seriously, especially by the grown-ups (like the one who demotes Suzy from her raven role). Play taken too seriously, or serious enterprises (like child care) rendered all too game-like (as when the best scout of all, Scoutmaster Ward, manages to lose first Sam, then the rest of the troop), continually threaten happiness. The only possible resistance is yet another system, an alternative game, a union between Sam's wilderness skills and Suzy's fantasy world, the game of their private Moonrise Kingdom.

Thus when all the other social systems of discipline converge, they do so at the church, in the midst of Noye's Fludde, in order to escape the actual flooding outside.

Britten is a serious, even difficult composer who has, when you think about it, written a great deal for children—both child audiences and child performers. He's especially known as a composer of liturgical music in a tradition famous for its boy choristers. I couldn't help noticing a movement from his Simple Symphony when it appeared in the film—a movement tellingly titled "Playful Pizzicato"—I'd played it as a child, after all. Using childish sounds—"playful" pizzicato (plucked strings), glockenspiels, high-pitched child voices, and at times almost comical bombast (including in the didactic Young Person's Guide)—Britten proffers Middle English texts and challenging harmonies. Thus, within the world of the film, his music marks the oscillations between "too easy" and "too hard" that marks every educational pursuit, every system for cultivating the self.

Anderson's own oeuvre, so often described in the terms of miniatures and toys (and including an animated adaptation of a children's book, Roald Dahl's 1970 Fantastic Mister Fox) aspires to similar comminglings. In Moonrise Kingdom, Anderson focalizes childhood as a site of real difficulty, one whose difficulties are not discontinuous with those of adulthood, and indeed, one whose difficulties are most adult when they reside in the domain of play.

Suzy lugs a suitcase of stolen library books through the wilderness, imaginative resources for building a private universe. Her fictions are bulwarks against the flood.

Un coup de dès jamais n'abolira le hasard

To contact us Click HERE
About a week ago I wrote a post adding to my ongoing series on puerility, observing how the cultural phenomenon of the FiveThirtyEight blog and the conflicts surrounding it exemplified a discourse in which discrete, mutually exclusive outcomes are the only imaginable ones. Then, while I drove to Maryland for a workshop, stopping in Philadelphia on the way back, about eighty people commented on my post to let me know that they were persuaded (in error) that I was somehow defaming Nate Silver personally and statistics as a field, and that it was up to them to defend both.

This seems to me to suggest two things.

First, that the same logic that gives us "Obama or Romney?" as the paramount question one can ask about an election also gives us "for or against?" as the paramount question one could ask about the FiveThirtyEight blog. This is in no way an interesting question to me, but for many people it was the only question, and therefore my post could only be read as answering it. This reduction to discrete, mutually exclusive, and usually binary outcomes legible in the terms of a game is of course what I was identifying as a form of puerility in the first place. Obama or Romney? Statistics or "gut"? Nate Silver or Politico? Quants or scouts? These questions clearly generate a great deal of pleasure, as evidenced by the enthusiasm with which they are debated, but there are other questions, involving words like "why" and "how," that are worth discussing.

Second, that childhood is so overwhelmingly treated as a debased category that to invoke it is considered an insult.* In addition to its literal meaning of "boyish" (Latin puer), "puerile," in common usage, carries a pejorative connotation, of course, but that's its least descriptive and least useful aspect, which is why I set it aside. Puerility, in the sense of the performance of child masculinity, is one of the most powerful political forces in the present moment; that's why there is a "Nate Silver phenomenon" in the first place. It should go without saying that anyone can engage in this performance, but it is also worth noting (so I noted it) that Silver's public persona (white, male, youthful, virtuosic) makes him a particularly good candidate, out of the many people and organizations aggregating polls, to emerge as the celebrity of popular political statistics.

On election night it was interesting (though not surprising) to observe how, once the presidential race was called, Silver began to be celebrated on Twitter (elsewhere too, I'm sure, but Twitter is time-stamped) as if he were the magical wizard that, prior to the election, Silver himself so patiently tried to explain that he was not. A lot of the tweets were really funny (funniest), but many of them oddly called the Obama victory "a win for statistics" or even "a win for reality," as if to suggest that the validity of either were contingent on who won the election.** Some even explicitly trod into "Nate Silver IS a wizard!" territory:



Such celebrations seemed to concede (erroneously) that Scarborough et al. had a point in the first place— that a Romney win would have falsified Silver's model, and that Silver's model were based on occult wizardry rather than weighted averages of widely available polling data. As Siva Vaidhyanathan put it:



And surely many of the people declaring Silver the real winner of the election knew this, and had even, prior to the election, said it. This put no damper on the explosion of Silver jokes, however; the pleasure of play trumped the basic premises of the very thing being celebrated. The cultural meaning of statistics was precisely puerile at this moment, openly signifying "winning team" more than it signified the actual principles of statistics.

Another form of data analysis was also declared a winner after the election, it is worth noting—the data-mining that enabled the Obama camp's microtargeted get-out-the-vote effort. This was swept into the same category as Silver's poll averages and made a cause for celebration. But as Zeynep Tufekçi, who had earlier argued that work like Silver's had the potential to limit the puerile logic of the horse race, observed, data-mining is ethically neutral at best, and is as eagerly pursued by Target as by the Democratic Party:



Or as Alexis Madrigal put it, "Data Doesn't Belong to the Democrats". "The left's celebrating the analytical method right now as if it belonged to them," Madrigal writes. "But it doesn't. [...T]his election was not a triumph of data over no data, of rigor over hunch. The 2012 election was a triumph of Democratic data over Republican data." What Madrigal predicts next is a data analysis war, as Republicans struggle to catch up with and exceed the facility already achieved by Democrats.

This is indeed probably what will happen in 2016, and it is about winning. In such a discursive environment, we can easily have another election in which drone strikes are not up for debate at all. But who wins—the question that FiveThirtyEight and the political parties' data-mining efforts each, in their different ways, attempt to answer***—only ultimately matters in the context of policy questions. Are we able to ask them?

-----

*This is complicated, to say the least.

**This is in contrast with the predictions in individual states, which, taken together, are rather more meaningful for evaluating the model.

***I.e., Silver tries to answer by prediction based on polling data, while the data-miners try to answer by trying to secure a particular outcome.

What's wrong with the Celtics?

To contact us Click HERE
Everybody blames it on their health and lack of Kevin Garnett. Admittedly, any team without K.G. would tend to slump significantly. But as a life long Celtics fan, I feel the problem goes much deeper than that. I think the main underlying issue that the average John Q. public is missing (and Doc Rivers) is the role of Rajon Rondo. He's averaged 10.6 points per game during their championship year in 08' and last year he improved his average to 11.9 points per game. This year he has pushed it up to 14.0 points per game. On any given night, I see him drop 20 points. While I am all for an individual improving his stats...at what expense does it come to the rest of the team as a whole? Last year, they didn't even make the Eastern Conference Finals. This year, granted it's midway, they're slumping and losing to scrub teams. The more points he scores the less he is involving his team mates. When they don't score, they lose interest in rebounding, hustling, the little things. Just a thought, but if he'd give up the ball a little more like in the past, perhaps they would keep their interest level up and stop losing leads and such. What do you all think! No haters! Actual sports fans answers only...be mature!

1 Ocak 2013 Salı

What's wrong with the Celtics?

To contact us Click HERE
Everybody blames it on their health and lack of Kevin Garnett. Admittedly, any team without K.G. would tend to slump significantly. But as a life long Celtics fan, I feel the problem goes much deeper than that. I think the main underlying issue that the average John Q. public is missing (and Doc Rivers) is the role of Rajon Rondo. He's averaged 10.6 points per game during their championship year in 08' and last year he improved his average to 11.9 points per game. This year he has pushed it up to 14.0 points per game. On any given night, I see him drop 20 points. While I am all for an individual improving his stats...at what expense does it come to the rest of the team as a whole? Last year, they didn't even make the Eastern Conference Finals. This year, granted it's midway, they're slumping and losing to scrub teams. The more points he scores the less he is involving his team mates. When they don't score, they lose interest in rebounding, hustling, the little things. Just a thought, but if he'd give up the ball a little more like in the past, perhaps they would keep their interest level up and stop losing leads and such. What do you all think! No haters! Actual sports fans answers only...be mature!

"I'm a raven."

To contact us Click HERE
I forgot to mention in my previous post one of my favorite things about Moonrise Kingdom, which was the liberal use of Benjamin Britten's works in the soundtrack. Movie nerds will recognize the theme from his Young Person's Guide to the Orchestra as the Rondeau from Henry Purcell's Abdelazar, which was adapted (quite effectively, for solo violin) for a key scene in The Lesser Adaptation of Austen's Pride and Prejudice.

"I'm a raven."
The amateur production of Britten's Noye's Fludde, staged in a local church and replete with children dressed as animals, is, like the Khaki Scouts, its own kind of child-adult collusion in overenthusiasm. Suzy is a failed raven just as Sam is a failed Khaki Scout, failed on social grounds rather than out of incompetence. It is a "play" that is taken utterly seriously, especially by the grown-ups (like the one who demotes Suzy from her raven role). Play taken too seriously, or serious enterprises (like child care) rendered all too game-like (as when the best scout of all, Scoutmaster Ward, manages to lose first Sam, then the rest of the troop), continually threaten happiness. The only possible resistance is yet another system, an alternative game, a union between Sam's wilderness skills and Suzy's fantasy world, the game of their private Moonrise Kingdom.

Thus when all the other social systems of discipline converge, they do so at the church, in the midst of Noye's Fludde, in order to escape the actual flooding outside.

Britten is a serious, even difficult composer who has, when you think about it, written a great deal for children—both child audiences and child performers. He's especially known as a composer of liturgical music in a tradition famous for its boy choristers. I couldn't help noticing a movement from his Simple Symphony when it appeared in the film—a movement tellingly titled "Playful Pizzicato"—I'd played it as a child, after all. Using childish sounds—"playful" pizzicato (plucked strings), glockenspiels, high-pitched child voices, and at times almost comical bombast (including in the didactic Young Person's Guide)—Britten proffers Middle English texts and challenging harmonies. Thus, within the world of the film, his music marks the oscillations between "too easy" and "too hard" that marks every educational pursuit, every system for cultivating the self.

Anderson's own oeuvre, so often described in the terms of miniatures and toys (and including an animated adaptation of a children's book, Roald Dahl's 1970 Fantastic Mister Fox) aspires to similar comminglings. In Moonrise Kingdom, Anderson focalizes childhood as a site of real difficulty, one whose difficulties are not discontinuous with those of adulthood, and indeed, one whose difficulties are most adult when they reside in the domain of play.

Suzy lugs a suitcase of stolen library books through the wilderness, imaginative resources for building a private universe. Her fictions are bulwarks against the flood.

Un coup de dès jamais n'abolira le hasard

To contact us Click HERE
About a week ago I wrote a post adding to my ongoing series on puerility, observing how the cultural phenomenon of the FiveThirtyEight blog and the conflicts surrounding it exemplified a discourse in which discrete, mutually exclusive outcomes are the only imaginable ones. Then, while I drove to Maryland for a workshop, stopping in Philadelphia on the way back, about eighty people commented on my post to let me know that they were persuaded (in error) that I was somehow defaming Nate Silver personally and statistics as a field, and that it was up to them to defend both.

This seems to me to suggest two things.

First, that the same logic that gives us "Obama or Romney?" as the paramount question one can ask about an election also gives us "for or against?" as the paramount question one could ask about the FiveThirtyEight blog. This is in no way an interesting question to me, but for many people it was the only question, and therefore my post could only be read as answering it. This reduction to discrete, mutually exclusive, and usually binary outcomes legible in the terms of a game is of course what I was identifying as a form of puerility in the first place. Obama or Romney? Statistics or "gut"? Nate Silver or Politico? Quants or scouts? These questions clearly generate a great deal of pleasure, as evidenced by the enthusiasm with which they are debated, but there are other questions, involving words like "why" and "how," that are worth discussing.

Second, that childhood is so overwhelmingly treated as a debased category that to invoke it is considered an insult.* In addition to its literal meaning of "boyish" (Latin puer), "puerile," in common usage, carries a pejorative connotation, of course, but that's its least descriptive and least useful aspect, which is why I set it aside. Puerility, in the sense of the performance of child masculinity, is one of the most powerful political forces in the present moment; that's why there is a "Nate Silver phenomenon" in the first place. It should go without saying that anyone can engage in this performance, but it is also worth noting (so I noted it) that Silver's public persona (white, male, youthful, virtuosic) makes him a particularly good candidate, out of the many people and organizations aggregating polls, to emerge as the celebrity of popular political statistics.

On election night it was interesting (though not surprising) to observe how, once the presidential race was called, Silver began to be celebrated on Twitter (elsewhere too, I'm sure, but Twitter is time-stamped) as if he were the magical wizard that, prior to the election, Silver himself so patiently tried to explain that he was not. A lot of the tweets were really funny (funniest), but many of them oddly called the Obama victory "a win for statistics" or even "a win for reality," as if to suggest that the validity of either were contingent on who won the election.** Some even explicitly trod into "Nate Silver IS a wizard!" territory:



Such celebrations seemed to concede (erroneously) that Scarborough et al. had a point in the first place— that a Romney win would have falsified Silver's model, and that Silver's model were based on occult wizardry rather than weighted averages of widely available polling data. As Siva Vaidhyanathan put it:



And surely many of the people declaring Silver the real winner of the election knew this, and had even, prior to the election, said it. This put no damper on the explosion of Silver jokes, however; the pleasure of play trumped the basic premises of the very thing being celebrated. The cultural meaning of statistics was precisely puerile at this moment, openly signifying "winning team" more than it signified the actual principles of statistics.

Another form of data analysis was also declared a winner after the election, it is worth noting—the data-mining that enabled the Obama camp's microtargeted get-out-the-vote effort. This was swept into the same category as Silver's poll averages and made a cause for celebration. But as Zeynep Tufekçi, who had earlier argued that work like Silver's had the potential to limit the puerile logic of the horse race, observed, data-mining is ethically neutral at best, and is as eagerly pursued by Target as by the Democratic Party:



Or as Alexis Madrigal put it, "Data Doesn't Belong to the Democrats". "The left's celebrating the analytical method right now as if it belonged to them," Madrigal writes. "But it doesn't. [...T]his election was not a triumph of data over no data, of rigor over hunch. The 2012 election was a triumph of Democratic data over Republican data." What Madrigal predicts next is a data analysis war, as Republicans struggle to catch up with and exceed the facility already achieved by Democrats.

This is indeed probably what will happen in 2016, and it is about winning. In such a discursive environment, we can easily have another election in which drone strikes are not up for debate at all. But who wins—the question that FiveThirtyEight and the political parties' data-mining efforts each, in their different ways, attempt to answer***—only ultimately matters in the context of policy questions. Are we able to ask them?

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*This is complicated, to say the least.

**This is in contrast with the predictions in individual states, which, taken together, are rather more meaningful for evaluating the model.

***I.e., Silver tries to answer by prediction based on polling data, while the data-miners try to answer by trying to secure a particular outcome.